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Though some stunt, er, parts were employed, you are basically watching actors like Charlotte Gainsbourg and Shia LeBeouf engage in the sort of unsimulated activities you associate with porn stars. 2 doesn’t arrive until April 4th, though you’ll be able to catch both chapters on video-on-demand starting on March 20th.) Never one to shy from provocation - he’s more likely to sprint towards it - the Danish director’s chronicle of one woman’s sexual awakening is littered with spankings, fellatio, a ménage à trois or two, sodomy, masturbation and good old-fashioned humping. I sincerely love this movie precisely for doing just that.Arriving on a wave of high anticipation, hype and bag-headed public appearances, the first “volume” of Lars Von Trier’s two-part, five-hour magnum opus Nymphomaniac will start rolling into theaters on March 21st. Each adult character (let's not forget Claude's mom, engagingly portrayed by the underrated Amanda Plummer) gets at least one scene where the admittedly stereotypical surface is scratched away and subtleties like a single wounded glance can turn the whole story on its head. His ultimate transgression towards his son manages to be both disturbing and weirdly touching. Claude's macho dad is another case in point. It is both telling and sad that their grisly fate apparently elicits far less shocks from its audiences than those scant minutes of groin action. Tate's grandparents may initially come across as whiny and pathetic yet there's a sweet little scene later on that shows their genuine affection for one another. As far as I'm concerned, only very inattentive viewers could ever come up with that assessment. A lot of older viewers have remarked that the film is somehow unfairly slanted in favor of the young characters (compelling actors the lot of them), rendering the adults as grotesque caricatures. Much more than simply courting controversy, Clark (and co-helmer Lachman) have crafted a beautiful, funny, touching, heartbreaking and absolutely haunting (those final frames with the titular Ken Park will be etched in my mind for life) work of, yes, art. How's that for universal appeal ? Too many adult viewers would still seem to prefer to deny the very possibility that their teen-aged children harbor strong sexual desires, let alone the likely consequence that they've already acted upon them ! It may strike some as slightly unsavory that now 59 year old Larry Clark addresses such issues (especially given the level of unflinching honesty and carnal frankness demonstrated here), as he did in both KIDS and BULLY previously, but nearly no one else apparently dares to come anywhere near this topic as of yet. A lot of things both the adolescents and their parents go through were instantly recognizable to me personally, and I'm a 35 (going on 36) year old employee from that minuscule ant heap of a country called Belgium. Could it be that Harmony Korine's razor sharp screenplay, largely based on the personal experiences of some of director Larry Clark's friends and models, actually hit too close to home for a lot of people to admit ? Though the sleepy suburb in this movie might qualify as quintessential Americana by definition of many, I can assure you that the stuff that happens over there takes place all over the world. Critics seem to be bending over backwards in their defense of sexually explicit imagery (okay, there's a little bit of what could be considered hardcore footage here, but nothing on the level of, say, BAISE-MOI for instance), once again trying to establish the thin line between art and pornography, forgetting (conveniently, perhaps ?) to really focus on the film instead. Reading the local (Belgian) reviews for this movie, you'd seriously think we're moving back in time.